FREQUENTLY ASKED QUESTIONS

1) Are you available this afternoon for a haircut and color?

No, however I can refer you to my hairstylist who loves coloring as much as I do. :)

2) Can you work remotely?

Yes I employ color managed remote streaming hardware and software allowing clients to attend a session anywhere in the world using smart phones, tablets and laptops which offer robust displays for proper color viewing. Clients will receive a detailed outline of the remote streaming workflow specs and hardware requirements.

3) Can you provide pre-production workflow and camera Show Look or LUT development?

Yes my experience as a Digital Imaging Technician offers me the ability to provide clients with best practice workflow(s) for on set and into post production. I enjoy collaborating with Directors of Photography to build custom camera Show Looks or LUTS to employ for viewing in camera or on set field monitors.

4) How much does your color grading services cost?

Reach out via the contact link below to discuss your specific project’s creative objectives and deadlines.

5) What color grading system do you work on?

My creative and technical color collaborator is Davinci Resolve running on a top end Apple M1 Ultra Studio workstation.

6) What resolution and camera formats do you work with?

I am able to work with standard def, High Definition, 4K-8K resolutions and codecs as well as camera original RAW, LOG and REC 709 files. In addition to color grading services I provide archival restoration for legacy SD or HD material requiring upscaling, deinterlacing and image restoration.

7) Do you work as an editor?

Yes I offer editorial services for short and long form documentary and commercial projects.

8) How do I contact you?

Click on the “Contact me now” button below or select the Contact tab in the navigation menu to reach me directly via email.

Provide specific details regarding your name and contact info, project genre (Is it a commercial, feature film, documentary, corporate, Branding or Marketing Film, Promotional Film, instructional series etc?) as well as the content duration, delivery deadlines and your initial budget allocated for color grading.